August 2021

Here is the cover for the numbered edition showing the bee and magnifying glass design by Gary Gianni and Richard Tong bound by Richard Tong from Ludlow Bookbinders, that the film below highlights, it slips into a wonderful black, textured Coral cloth slipcase which also has an amazing four passes of foil blocked raised goatskin leather label in the front.
photos: Tif Hunter

Here is another glimpse of the books for Neil Gaiman’s The Case of Death and Honey, it is a detail from the lettered/Artist edition, with oversized handmade paper by Gangolf Ulbricht, each book has a bound-in original art of one of the forty illustrations by Gary Gianni, Gary doesn’t often part with his art so we’re really pleased he has for this edition, so each one is absolutely unique..

Bradel bound, the book sits in solander box made of Goatskin, also bradel bound to show off Gary and Richard Tong’s designs. The box includes a portfolio of prints, a slim hardcover book called ‘An Introduction of Sorts’ by Neil Gaiman, and also Arthur Conan Doyle’s story of ‘The Adventure of the Creeping Man’ the story that inspired Neil’s story, with two colour hot metal type letterpress and also four new full-page illustrations and decorations by Gary Gianni.
photos: Tif Hunter

Here is one of Gary Gianni’s forty illustrations (and one painting) for Neil Gaiman’s The case of Death and Honey:
‘‘I must confess, my dear fellow, that I do not
entirely follow you. What is a crime?’’
‘‘My death,’’ said Mycroft, ‘‘in the specific.
And Death in general.’’ He looked into my eyes.
‘‘I mean it,’’ he said. ‘‘Now isn’t that a crime
worth investigating, Sherlock, old fellow?…’

A little glimpse of the numbered edition of Neil Gaiman’s The Case of Death and Honey, amazing work by Richard Tong and Gary Gianni
Photo: Tif Hunter

Four pages of The Adventure of the Creeping Man ready to go on the press for printing. Typeset by Effra Press, book will be published with The Case of Death and Honey by Neil Gaiman

A sheet from the Artist’s Edition of The Case of Death and Honey by Neil Gaiman Letterpress printed from metal cast by Effra Press on hand-made paper specially made for this book by Gangol Fulbricht.

In ancient Greece, areté was the notion of excellence of any kind. It was bound up with the act of living to one’s full potential and it is the root of the English word art.

Our aim is to make books to our full potential. Areté Editions was started in 2020 when publisher, film maker and writer Marcelo Anciano met letterpress printer Phil Abel.

Marcelo: ‘I had suggested to the artist Gary Gianni that we work on another book together, just for us, and find a story that he felt he could doodle with and that I could design. He chose a short story by Neil Gaiman. After the project became a book, I asked Neil if we could publish it and he was graciously enthusiastic.

‘I was originally going to do the book with an established publisher, and also I was going to produce, for myself and Gary, twenty-six lettered copies that I wanted to have handmade. I found Phil’s Hand & Eye Editions online and when he saw the project he suggested we typeset the whole edition in hot metal, make relief plates for the illustrations and print it all letterpress.

‘Areté Editions was born.’

Phil: ‘Marcelo came along just after I realised that the Covid-19 pandemic meant that the best way forward for Hand & Eye was to concentrate on printing books. I had two projects of my own under way and also a commission from Lyra’s Books and Ludlow Bookbinders to print their edition of Neil Gaiman’s Stardust. Quite by chance the time to send them proofs coincided with a holiday a few miles from Ludlow. I went to see them to discuss the proofs and was shown round their immensely impressive premises. I knew then that they were exactly the right people to bind our books.’

Gary: ‘Upon reading Death and Honey for the first time, I remember being exhilarated by the scope and vitality of the short story. This was years ago, well before I ever thought about creating dozens of pictures for Neil Gaiman’s Sherlock Holmes adventure. The initial enjoyment of the reading experience raises a question I wrestle with from time to time.

‘Why illustrate good literature?

‘Shouldn’t the communion between the author and the reader be a sacred experience?

‘When is it okay for a third party, namely some illustrator like me, to trespass on that sacred ground and weave pictures into the mix? Who can give you reasons? Who can tell you why?

‘Fools will give you reasons, wisemen never try.

‘Perhaps the monumental production of this one-of-a-kind letterpress book is a fool’s folly; sort of like Fitzcarraldo hauling his 300-ton steamship over a mountain top. It’s this sort of romantic comparison that appeals to artists in general. Thinking about Death and Honey from this perspective gives me some clarity. Maybe there is an answer to the question posed earlier, why illustrate good literature? Aside from the wonderful story, the book itself can be a work of art.

‘I’ll speak on behalf of the team of skilled craftsman involved in producing this fine object.

‘ “We built it out of love for the art form. It has little to do with recognition or money.

‘We just wanted to create a beautiful book…”

Areté editions & Hand and Eye are very pleased to announce that we are publishing The Case of Death and Honey by Neil Gaiman in three spectacular versions illustrated with forty pen and ink drawings by Gary Gianni. There will also be a companion volume, The Adventure of the Creeping Man, the Sherlock Holmes story by Sir Arthur Conan Doyle that inspired Neil’s book.

The Areté edition of The Case of Death and Honey is making progress and we should have photographs of the dummies of all three editions in the coming weeks. Printing has started on the companion volume, The Adventure of the Creeping Man, and we’ll be finishing it as soon as The Wind in the Willows is off the press and then moving straight on to the Death and Honey.